He is now heading out on tour in Harry Enfield And No Chums. As the title suggests, this a solo show, with Enfield, 64, reflecting on his life in comedy, revealing the back stories of his characters and performing sketches featuring his iconic creations.

Harry Enfield and No Chums runs from October 10th until November 30th, including a night at Symphony Hall on 28th October. Tickets and information are available here.

You haven’t performed live since you toured with Paul Whitehouse in 2015. How did this tour come about?

“These folks from Fane Productions approached me. It sounded fun. You know, if people ask me to do something, I tend to do it. Otherwise, I’m just quite happy sort of pottering around, really.”

Do you enjoy performing live?

“When I was young and used to do characters in clubs I was really nervous. That’s why I stopped as soon as I could. Now I’m so old I don’t care anymore. The tour with Paul was really fun, but we spent all our money on making it a slick show with loads of costumes and sets. I said to Paul afterwards people would love it if we just chatted and did a bit of this or whatever as a surprise. The next thing I know, he was doing that with The Fast Show reunion tour.”

Can you give us a flavour of who we will be seeing again?

“A lot of them, DJ Nicey is back! He has a podcast and it’s very, very, very right-wing. He keeps getting cancelled and coming back. Angry Frank is still angry. And there are some new characters thrown in too.”

You are doing more recent characters too?

“I’ll be doing one of The Surgeons that I did in the BBC series Harry & Paul. He’s based on someone I met who told me stories about his life that were absolutely heartbreaking. His daughter died, and he said: ‘and then she sadly died, “ah boo-hoo.”’

“There’s a whole bunch of people in this country, sent to prep school aged seven and if they blubbed for their mummies they were beaten. So anything that’s happened to them in their life, they just go, ‘ah boo-hoo,’ and carry on. There’s none of this rubbish about ADHD and anxiety.”

You sound like you’ve turned into one of your old gits, taking pleasure in having a moan about the modern world…

“I have. I’m still embarrassing. My children find me embarrassing. They think I’m ridiculous. I just can’t really grow up.”

You are also revisiting Loadsamoney. Is he still relevant?

“Yes, money is everything now. The rich have got richer. The poor have got poorer. I imagine that he now runs Pimlico Plasterers and he’s gone to live in Dubai in case Labour tax him more.”

Those early BBC series were mostly written by you, director Geoffrey Perkins, Paul Whitehouse and Charlie Higson. That’s a great team.

“When I first started doing Stavros, Paul was still plastering and Charlie was painting with him. When I was interviewed and asked who my comedy heroes were I said ‘Monty Python, Peter Cook and my friend Paul down the pub.’ And Geoffrey Perkins said, ‘this guy Paul, you keep on mentioning him in interviews, do you think he’d like to write for you?'”

Did you watch your old programmes to prepare for this tour?

“Yes. I thought they were really funny. Which surprised me, because at the time you do these things and you move on and don’t really think about it anymore, but a lot of it I thought was really well written. We really got something right about a lot of things. And now I can see when I watch that stuff that Paul was a fucking genius.”

Are there any particular characters you are fond of?

“I love Wayne and Waynetta Slob. I love them all, actually. I’m very proud of them. I do a bit of Wayne and Waynetta in the show, they are probably great, great, great grandparents by now.”

How do you respond to people who suggest the Slobs are ‘punching down’ or you shouldn’t do foreign accents such as Stavros, who was based on your local kebab shop owner Adam?

“They are all just comic book characters. My thing is always mischief, not malice. Stavros is interesting because I did him again in 2022 when Channel 4 revived Friday Night Live. The Channel 4 people behind the scenes wanted me to take my make-up off. I told them that my make-up was exactly the same shade as Ben Elton’s who was hosting. Anyone who wants to take offence has got no sense of humour as far as I’m concerned.”

The world has changed during your lifetime…

“Onstage I show a picture of me as a baby eating coal. Why did my parents take a picture of me eating coal and not stop me?”

We don’t see enough of you on TV these days. How do you spend your time?

“I like reading, walking and swimming in Hampstead Pond. But mainly I like arsing about with friends. I still write sketches, but not very often. I sold one to David Mitchell and Robert Webb for their Channel 4 show. It was David explaining to Rob the violent plot of John Wick, but with this fear of saying the word ‘dead’, saying ‘sadly passed away’ instead.”

You used to be the partner of Lily Allen’s mother Alison Owen and helped to bring up Lily, do you follow her career?

“She’s doing all right now, Lil. I think her latest album is a work of genius. She’s so close to my heart, both Lily and Alfie. Lily was actually in one of my sketches. She was about seven and played a girl coming out of Santa’s Grotto crying and then the Old Gits say ‘bugger off’. But every time she passed the camera she kept on giggling.”

What TV comedy makes you giggle?

“I’ll watch Paul in something or David Mitchell. And I quite often watch something like Michael McIntyre’s Big Show. It always makes me laugh. I’m more Michael McIntyre than Stewart Lee.”

Were there characters you weren’t ever able to do on TV?