Making the best of the limitations imposed by the pandemic, a team of CBSO players celebrated Ludwig’s 250th birthday and his music with a chamber concert under the title of Beethoven: 250 Years Young – minus a live audience.

Pre-recorded at the CBSO Centre in Birmingham and given its first airing online on the actual day of his birth – December 17th – the concert saw the ensemble of string and horn players perform two of the master’s rarely performed youthful works.

Beethoven’s only string quintet, nicknamed ‘The Storm’, was inspired by the great quintets of his early hero Mozart and was a future inspiration for Schubert.

It was given an energetic rendering in a socially distanced but musically close collaboration by two violinists, two viola players and two cellists.

Tuneful, cheerful and an irresistible foot tapper, the piece came over not so much as stormy but more as an invigorating breeze. It was a pity though that a microphone or light stand distracted at the front of the stage, but the close ups of the string fingering showed a strength of the online format.

Fortunately, the mic stand was no longer in view for Beethoven’s Horn Sextet in E Flat: a work with an Opus number of 81b but written as a 25-year-old in 1795. The work just remained unpublished until 1810. The composition for two horns and a string quartet was performed with panache – and sounded, in every note, the light-hearted entertainment that it was intended to be.

The virtuoso horn playing made you think of forests and hunting parties, with the weaving of a simple melody between the instruments particularly satisfying on the ear.

Sandwiched between the Beethoven was a modern work, 180 Beats per Minute, by Jörg Widmann that was as pulsating as its title.
All rhythmic drive with one heartbeat-skipping surprise, this was six minutes of sheer excitement from a young composer who was recently a CBSO Artist in Residence.