Sir Simon Rattle to return as guest conductor.
The City of Birmingham Symphony Orchestra has announced that it will celebrate the 100th anniversary of its first ever concert with a landmark performance featuring the full orchestra and filmed at a production warehouse in Birmingham.
The varied programme will be conducted by former Music Director Sir Simon Rattle, who is handed the baton for this special event by the orchestra’s current Music Director, Mirga Gražinytė-Tyla, while she is on maternity leave. They are joined by cellist Sheku Kanneh-Mason and sitar player Roopa Panesar, and the performance will be presented by Birmingham-born actor Adrian Lester.
The orchestra will be playing at PRG’s Live Stage Studio, a warehouse and temporary production facility in Longbridge, which is large enough to house the full symphony orchestra adhering to social distancing measures. The performance will take place without a live audience present.
It will celebrate the CBSO’s long history and look to the future through a mixture of live music, pre-filmed interviews and projected imagery. The performance will take place on Saturday 5th September and will be broadcast internationally on the CBSO’s Facebook and YouTube channels on the same day at 7pm, where it will be available to stream free of charge until the end of September.
The performance takes place 100 years to the day of the orchestra’s first concert, when the then City of Birmingham Orchestra took to the stage at the Theatre Royal, Birmingham, on Sunday 5th September 1920, under the baton of their Principal Conductor, Appleby Matthews. Two months later, on 10th November 1920, the orchestra’s first full symphonic performance was given at Birmingham Town Hall, with Edward Elgar conducting a concert of his own works.
Osborn Music Director, Mirga Gražinytė-Tyla, said: “This is a very special moment for the orchestra. These are extraordinary circumstances, but it has been a wonderful task and challenge to devise this programme for both the orchestra and our audiences. When we were thinking about our centenary season, we chose works that have a special connection with the CBSO story, both past and present.
“It has felt like an intense conversation with the past and an opportunity to look ahead to the next chapter in the Orchestra’s story. One of the CBSO’s core values has always been innovation, and one of our tasks for the next 100 years is to make sure that continues. As we approached the centenary, we all agreed it was important to celebrate, but maybe even more important is to use this moment for re-thinking, re-questioning and re-discussing: ‘Who are we? Who do we want to be? What future do we imagine for the orchestra in this city?’. I think the founding conductor, Appleby Matthews, would be incredibly proud of his orchestra today!”
The performance will explore the work, history and future of the CBSO, the flagship of musical life in Birmingham and the West Midlands and one of the world’s most renowned orchestras. The performance includes Schumann’s Genoveva Overture, Elgar’s Serenade for Strings, which was performed in that first concert a century earlier, and Saint-Saёns Cello Concerto No. 1, performed by close friend of the orchestra, Sheku Kanneh-Mason who made his debut recording with them.
Igor Stravinsky’s 1919 Suite from The Firebird is almost exactly as old as the orchestra and was the first music heard in Birmingham’s Symphony Hall with Sir Simon Rattle in April 1991. The orchestra’s ongoing commitment to new music and nurturing exciting new talent is represented by Hannah Kendall’s The Spark Catchers, and the programme will also include AR Rahman’s Slumdog Millionaire Suite featuring Roopa Panesar on sitar, celebrating the breadth and vibrancy of the CBSO’s musical programming.
Pre-filmed video interviews with past and present music directors will explore what it means to be part of the CBSO Family, as will interviews with musicians, supporters, young people involved in the orchestra’s Learning and Engagement programme, and other special guests who have helped contribute to the CBSO’s great history.
Joanna Patton, Player Chair and Principal Second Clarinet, CBSO, said: “The musicians of the CBSO never cease to amaze me with their courage, determination, motivation, imagination and indefatigable spirit. We are so looking forward to a time when we can share live music together again with our audiences in our city and beyond.
“There is huge excitement and anticipation about the opportunity to play together again – for the first time in six months -to celebrate our 100th birthday! This celebration may not be what was originally intended but we all know it will be something incredibly special; emotional, connective, distinctive and uniquely CBSO.”
CBSO Chief Executive, Stephen Maddock, said: “For 100 years the CBSO has been a source of joy, education and entertainment to audiences across the West Midlands, the UK and internationally, and we are hugely excited and proud to be presenting this ground-breaking performance to mark our centenary and showcase our vision for the future. We hope our audiences enjoy this much-needed dose of music, joined by our close friends and special guests, as a reminder of why the CBSO is such a remarkable and special orchestra.”
The celebratory performance is part of the West Midlands Culture Response Unit’s West Midlands Weekenders, as the region’s arts and culture sector joins together for three weekends of innovative events showcasing the diversity and innovation of the West Midlands’ arts and culture scene. Prior to the CBSO’s own streamed broadcast, arts organisations across the Midlands have collaborated to put together digital content that celebrates the orchestra’s centenary as an Orchestra of Firsts. As part of an afternoon of events representing ‘firsts’, the WMCRU will stream content from 4pm-6pm on the makeitwm.com website, prior to the CBSO broadcast.
The CBSO centenary performance on 5th September marks the public launch of an ambitious £12.5 million fundraising campaign, The Sound of the Future, designed to ensure the orchestra’s recovery post-Covid and drive its longer-term renewal for its second century.