The vital new resource has been developed by the Birmingham Live Music Project team, made up of academics from Aston University, Birmingham City University and Newcastle University, and features around 200 music venues with B-postcodes – ranging from the 15,800 capacity Utilita Arena to the tiny Lamp Tavern, home to the Black Diamond Folk Club.

Music workers and fans from across the city are now being invited to contribute recommendations for current venues to be included on the map to ensure the database is comprehensive, in order to accurately track socio-economic, political and geographical changes in Birmingham’s live music industry over the coming months and years.

Dr Craig Hamilton, researcher at Birmingham City University, said, “The BLMP map launch signals the start of a crowdsourcing initiative that will be vital to the success of the project. Our map currently shows the majority of the main and major sites of live music, but we know this does not represent the full extent of live music venues in the city. To help us complete the picture we’re hoping that music fans, musicians and industry workers can tell us about venues and spaces missing from the map.”

The BLMP map is the first focussed exploration of the Birmingham venue landscape, and will present valuable information about the health of the sector – which plays a key role in generating a £211 million contribution towards the UK music economy – as well as illuminate the overall ‘ecology’ and interdependencies across different local, national and global actors.

Recent research from UK Music has highlighted the economic contribution that music tourism has for the UK with the headline figures showing that 29.8 million people attended live music events with 11.2 million of them classed as music tourists, generating £4.5 billion in direct and indirect spend and sustaining 45,530 full time jobs (Music by Numbers, UK Music 2019).

Of particular relevance to the project team at this time is the plight of small to medium music venues during the global Covid-19 pandemic, which has seen live music venue activity in Birmingham, and across the UK, stop almost immediately as a result of lockdown restrictions.

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The data collected for the map can be extrapolated and used to develop complementary coping policies allowing for forecasting of market and industry change and therefore the development of reactive strategies. Long term, the outcomes, findings and replicable working methods will ensure that other regions – and particularly urban centres – will benefit from this work and help raise awareness of the live music sector and the challenges it faces.

Dr Patrycja Rozbicka, BLMP project lead at Aston University, said, “It is during an incredibly challenging time for the UK’s live music sector – where in some cases the very existence of venues is under threat as a result of pandemic restrictions – that we launch this new map, in addition to ongoing concerns around Brexit.

“Our research findings, particularly the data and mapping of the state of the sector in Birmingham will be of interest and use to various stakeholders in the city and beyond to help with their policy and strategy work, and data can impact the city planning and development policies, licensing regime, and environmental regulation.”

In October 2019, BLMP published a report which said that a significant drop in music tourism and an exodus of firms vital to the local infrastructure were amongst a number of Brexit-related concerns voiced by policymakers, academics, industry figures, and media representatives.

Currently, the Birmingham Live Music Project mapping model is limited to the geographic area covered by B-prefix postcodes – excluding the wider West Midlands and greater Birmingham area – to render the scope of the project manageable and achievable. There are plans to expand the map in the future.