Taking over the city with dance at some of the city’s finest venues, including Birmingham Hippodrome, The Patrick Centre, Birmingham Repertory Theatre, The Crescent and Warwick Arts Centre, and complemented by a huge programme of free dance performances in the streets and squares of the city, IDFB welcomed audiences to 37 ticketed theatre shows and 65 free outdoor performances.

From Compagnie Philippe Saire’s Black Out, an intimate experience of light, sound and movement viewed from above, to the poetic acrobatics of The Ricochet Project’s Smoke and Mirrors and the pulsating live music and emotion of Hofesh Shechter Company’s Political Mother at Birmingham Repertory Theatre, the programme offered exceptional quality to suit all tastes. Carlos Acosta’s A Classical Farewell at Birmingham Hippodrome and Olga Pericet Company’s Sin Titulo at DanceXchange’s The Patrick Centre played to sell out audiences over consecutive nights. The festival’s mini season of choreography from the Indian sub-continent was also well received, including a sell out evening from Aakash Odedra & Sanjukta Sinha.

A feather in the festival cap was Canadian contemporary company Ballet BC’s first ever performance in Europe, which was a great critical success and audiences should look out for dates in London soon. IDFB is fast gaining recognition from programmers and promoters as a place to see new work not previously presented in the UK and this year the festival welcomed visitors from Edinburgh Festival, Pittsburgh Dance Council, Adelaide Festival, Perth International Festival, Sadler’s Wells, and the Guggenheim.

65 free performances in outdoor places and unusual spaces attracted estimated audiences of almost 25,000. As part of this, the wacky new commission Phone Box by Corey Baker Dance, popped up in spaces across the city, amusing shoppers and creating a buzz on the city streets, as well as further afield at Queen Elizabeth Hospital Birmingham. Phone Box is now touring festivals across the UK this summer.

Centenary Square LIVE NIGHTS, a huge free mini-festival within a festival, sought to grow the scale and impact of IDFB, with a series of outdoor performances accompanied by food stalls from award-winning Digbeth Dining Club. Concentrated on four days within the programme, LIVE NIGHTS brought together several dynamic festival commissions taking over the city square with a line up of entertainment, not least the spectacular headline event The Machine Show – a striking depiction of a futuristic world, with live music from French band rinôçérôse, a female android en pointe and impressive robot moves from Popping champion Spider Salah.

IDFB 2016 included a dedicated Festival Hub for the first time, a central meeting place, with a pop up café from independent café bar Cherry Reds, and a programme of talks and workshops, all housed in Birmingham’s iconic and rarely opened Municipal Bank building on Broad Street. The centrepiece of the transformed banking hall was Cells, a huge, stunning kinetic sculpture by Japanese artist Shun Ito. This new commission by IDFB was the highlight of Ito’s Cosmic Birds exhibition which was viewed by audiences of over 6,600.

David Massingham, DanceXchange’s Artistic Director and Co-Artistic Director IDFB16 said: “It has been a huge pleasure working with so many fantastic international artists over these past weeks, both bringing their work to the stage and creating new productions. I believe our thrilling programme has had a transformative effect on audiences. The branding and visibility of the festival across the city was the envy of many of the international programmers who came to see premieres and IDFB is grateful to Birmingham City Council and Centro for their support with this. IDFB is truly a team effort.”

Mark Rogers, Chief Executive, Birmingham City Council commented: “Birmingham City Council is pleased to have been able to support IDFB 2016 for the fifth time. This festival has been more visible than ever in our city streets – and has offered a wealth of great entertainment for residents and visitors alike as well as reaching out to communities beyond the city centre. We are proud to celebrate it as a signature festival, helping cement Birmingham’s place as a distinctive, attractive international city.”

Fiona Allan, Birmingham Hippodrome’s Artistic Director & Chief Executive, and co-Artistic Director of IDFB 2016 added: “As founding co-producers of IDFB, we’re thrilled this year to be contributing over 70% of festival audiences for ticketed events. We are truly privileged to have such a fabulous stage for major dance companies, playing to over 100,000 dance patrons annually.”